milan based heels of love is made up of luca saponaro (from krautrock-disco hybrids the love supreme) and michele tessadri (aka fratelli riviera). the pair of them create incredible 80s-tinged, earthy, synthesized music with healthy dose of real instruments. after some nifty releases on mad on the moon and under the shade labels we are pleased to welcome them to the nang family. with an lp poised to drop later in the year, the welcome first dose is the train >chain gang<.
the track features the dulcet (and ever growing in confidence) vocals of tokyo based max essa. the original is a pacey combination of maxs devoesque song, driving drums and the wide-as analog bass synth from the italian duo. are we men? we certainly are.

disconnected sounds launches with a one off pressing of 300 hand stamped and individually numbered white labels. dscntd 001 is a four track ep featuring a varied and stunning array of cuts from newcomers, deft, hugh pascall, chocky & adam curtain. the record begins with croydon boy defts luscious down tempo joint >paradise<. classically trained jazz musician hugh pascalls follows on with >joy padding< which is a slice of breathtaking syncopated electronica. the b side takes us in a housey direction, kicking off with chockys >scat<, a deep, groove laden, head nodder. while >calcut<, a percussive, twisted 4/4 sub-bass work out by nottinghams adam curtain finishes the whole thing off.

the italian disco producer has previously appearing playing bass alongside the heels of love (tirk) but turns out a spectacular solo summer burner with sparkling vocals from miss bee. ray mang (dfa, noid) turns up the heat a notch delivering a slow pop groover that shuffles and slips through a well crafted boogie beat underpinned with a grinding baseline. already receiving early support from bill brewster and many of the usual disco mafia. lithuanian super produce mario basanov (future classics, under the shade) further enhances the summer vibe with a glistening and warm house rework. perfect for poolside antics. the original retains the growling bass line which seems to constantly build and build. miss bee (former outings alongside toby tobias) laces delicate vocal which juxtapose the track perfectly. last but my no means least is a dance floor bomb, courtesy of bonar bradberry (needwant, under the shade) who remixes the original panzerotti track into an epic that will shift even the most stubborn of head nodders

this is a heavyweight 12 inch from bristols very own dj clipz. he pulls out all the stops and ensures bass bins will shake with this slice of 175 madness. this tune is limited so once it has gone, its gone.

new uk talent, very authentic and very warm 80s instrumental chicago deep house and ny/nj paradise garage, plus one track that could very well be the ultimate space bass discofreak-out soundtrack of 70s sci-fi series buck rogers, beedee, beedee! get your freak on in the year 2300! this is the regular black vinyl release.

second installment on colourful has tobias linden, orange muse returning with some serious summer heat. the terrace mix with it’s euphoric piano hook and vocal chants against a funky backdrop will be perfect for those late decadent summer nights. the basement mix is an altogether different affair, stripping all the elements, featuring a raw synth hook to build the tension. bouncy with prominent percussion this mix still carries the uplifting, spiritual feel of the terrace mix. stepping up to remix is none other than the beats maestro himself, mr. kenny dope. drawing on the past, adding a splash of new, kenny comes really fresh on this one. raw, dry beats, deep bass drops and a sax hook to match the vox snippets - this is one piece of fierce floor action! add to that an instrumental and the colorful year of 2011 is in full gear– what else do you need?

while cultivating a reputation as one of las most exciting dj duos at parties like the legendary do-over and dam funks funkmophere, cosmic kids started working in the studio, completing remixes for friends like harvard bass. but it was their first original tune that landed them on throne of blood, backed by absolutely tremendous remixes from dear friends juan maclean, classixx and labelmates bicep.

its now more than 20 years that arnaud le texier started his dj career in the west of france and in the paris club scene. since he moved to london five years ago, le texier has been able to put his stamp on the european techno scene, being label head of safari electronique and regular dj at fabric. his debut ep for cocoon recordings is borne by le texiers deep understanding of melancholy melodies, especially >elusanes< with its piano keystrokes coming directly from the basement and the ample detroit strings proves with hymn-like intensity that deep sensuality and unquestioning dancefloor ecstasy can be two sides of the same medal. besides a beat-less version of >elusanes<, the hypnotic >nightleads< with its bass guitar theme does already whet your appetite for the next sunrise in the balearic dunes

the next release on claap is a joint venture between two label favourites. on side a, nikola galas >oasy< and >paradise (tool)< are two very tightly structured affairs! perfectly produced and oh so functional, they are another strong proof of the reasons for which nikola has been making waves in the scene for more than a decade. the overall feel in both tracks follows the same path along nikolas previous work on rekids and ibadan records, amongst others, along with releases on his own label escada music. we are also very glad to welcome a long time favourite john dimas. hailing from the beautiful city of thessaloniki in greece, john is a young and aspiring dj and producer who has been working with labels such as d julzs exciting bass culture. john has been steadily making a strong impression with his colourful, solid and passionate dj performances! >get it< is a very groovy, playful and smart track. reminiscent of older chicago house with a fresh touch. to round up the package, label head gummihz offers a disco orientated >get down mix...

double 12 inch with bass-filled tonic for mind and body straight from the med school.

maya jane coles was one of the biggest sensation of 2010 with the ep >what they say<, released under real tones records. the 23 years old anglo-japanese dj topped legal download sites charts, and this ep put her and the label under the spotlights. now is the time for the awaited remixes, especially the track >what they say< which has appeared to the eyes of the public as highly inspired by 90s house music and particularly by marc kinchens style while in facts, maya jane coles influences encompass many different styles, ranging from hip hop and trip-hop to dub, and nights out in londons drum & bass/ jungle underground scene.
early djs supports and feedbacks by the martinez brothers, reboot, ryan crosson, dennis ferrer, delano smith, laurent garnier, lee curtis, matthew styles, michel cleis, steve bug, sascha dive, damian lazarus, shawn reeves, raresh, dj t, lee foss, robert dietz, anja schneider, jimpster, deetron, sebo k, djulz, nick curly, culoe de song, tony humphries, dj spinna ...

robber and bandit grew up with electronic music since the early 90s ... when they heard tiefschwarz perform some years ago at 10 days off , they decided to join their forces and creative energy and started their own project robber and bandit, which is a mixture of techno and electro with trancy soundscapes. luckely robber had enough experience and technique in producing through his drum n bass project and started to make high quality productions in no time. for the moment they found their balance and new stunning productions are coming your way. later that year bandit started producing minimal techno on his own: lee barrier was born! lee barrier has created in a very short period great skills and producer techniques with a lot of support by robber alias axi and the man behind wasted for life : jamie.

no matter what recordings, a new sonic melting pot of ideas founded by eastern berlins alex agore (4lux, kolour, royal oak) and glasgows own james johnston (4lux, kolour, dikso). this collaborative journey of intellectual freedom will explore the infinite combinations of form and function, dark and light, kick and hat, bass and melody. forever searching, despite what stands in the way, without regard for the consequences, persevering for that perfect beat, no matter what …

pingipung are proud to present >unframe<, the debut album of the young russian duo wols. while self-proclaimed insiders have mainly kept their ears tuned to releases from the uk, a lively dubstep scene has been thriving for years in the russian federation. and so wols bring more to the floor than just a bass whip.
code for free digital download included.

fresh from the success of >clock out<, need for mirrors make a quick return to inneractive music with one of its most awaited releases. originally released in 2001 on phantom audio, ten years later and the duo bring spirits >three in one< to a new generation, keeping that irresistibly funky flow while toughening up the groove with some killer bass work and thumping beats, already gracing the sets of dj hype, goldie, storm, raiden, tc1 and a host of others. spirit himself gets deep and dirty on >juggernaut< with its sparse drums, deep subs and growling synths, creating a groove that just cant be stopped.
dj mag 9/10

unquote is the guise used by russian electronic music producer vsevolod ermakov. he joins a trend of exciting new producers from eastern europe delivering a new interpretation of experimental drum & bass and dubstep. he has, to date, clocked up releases on some of the scenes most forward thinking labels, including a single on med school and releases on hospital and influenza media. he has also been tipped as one to watch by london electricity on the acclaimed hospital podcast. cold tenderness is, as the title suggests, an emotional and melancholy piece of ambient dubstep. its stirring synths and haunting vocals create what is, quite simply, a breathtaking track that you will want to play again and again. the flipside sees edinburghs finest dfrnt on remix duty giving us a glimpse of what is to come on his forthcoming extended player on nu directions later in the spring.

never losing the musics immediate physicalness out of sight, the driving, bass-heavy energy of alex picones tracks set club floors on fire. still in his twenties, hes been a dj for fifteen years. having never aimed at quick fame, his career is exemplary in its endurance and commitment: he hosted parties in his hometown of padua and became resident at seminal italian clubs. after a stopover on ibiza he now resides in berlin. alex picones first record under his real name is also his first release on cadenza and his most successful so far. the three tracks of fahrenheit tie in with the overboiling force of floppy and furby. while the rattling snaredrum adds a humorous touch, the uplifting groove of inside out pushes on the limits of the energy levels of contemporary house music. yet the heart of the track is the relentless bassline, which liquefy ones body and melds the crowd and the whole club in one torrential stream of tension. with lost in burning man, alex picone fuses an oldschool electro groove in his house beats. this unexpected encounter might remind one of kevin saundersons hiphouse sound. but instead of indulging in nostalgia, the breakbeats add a provoking, startling touch to the track. with the rotary bassline and the playful jaws harp of mandarin, the ep ends on a comical note. alex picones second cadenza is a challenge to a certain house sound that became too accommodating and glossy. his musics driving force pushes the crowd beyond the threshold of the established into a space of limitless indulgence

scb is a house/techno project by paul rose, better known as uk bass pioneer and hotflush recordings owner scuba. scb was born in 2008 with a now-seminal rework of >hard boiled< from the first scuba album, a mutual antipathy, and has since developed with two full 12inches and remixes of mount kimbie and phil kieran amongst others. >loss / futureunknown<, on will sauls aus music imprint, is the first original scb material to surface outside of roses own circle of labels. >loss<, with its space melodies and repeating vocal slices, builds and builds into a slice of pure unadulterated dancefloor joy, very much in keeping with the musical territory occupied by aus at the moment. on the flip side, >future unknown<, fills out the atmospherics with dark stabs and driving rhythms which eventually give way to an almost scuba-esque brand of floating euphoria

snugness and calmness are important ingredients for a fulfilled life- and for entertaining dance music as well, as is proven by the gentlemen schaeufler and zovsky. their debut album could be characterized as a cunning mixture of humorously grinning relaxation and pushing dance floor bounce. this unique sound reflects the stylistic background of the duo: while the one keeps grooving on the laid back and independent vibe of his rural home mecklenburg, the other moved to berlin already some time ago and inhales all the diverse, international influences of the electronic metropolis. the village is rhythmically fuelled by casual and lasciviously house tunes with a warm and friendly character, supported by organic, dubby bass lines. matching this positive and uplifting mood, light melodies, classical styled filter modulations and unobtrusive vocal entries remind the laid-back amusement of a sunlit sunday outing.

>a crowd teaser and crowd pleaser, constantly rocking it with music to make you smile< is a very fitting description of mobilees next new guest, ray okpara. with a string of big releases on labels including oslo, get physical and remote area, he has always stuck by his groovy, soulful and deep house trademark style and his brand new ep on mobilee >booty< is no exception to the rule! listening to soul, funk and hip hop at a younger age, he has carried these influences throughout his musical career, blossoming into an internationally renowned dj, live act and producer. title track >booty< is built upon an inescapable and never ending tightly swung groove, whilst >crabapple road< comes with a nice and deep bouncing bass line. >modern dance< and >coyoacan< follow suit with an equal amount of energy, creating a very strong collection of dance floor ammunition, which will likely be heard in clubs across the globe. get up on the floor and enjoy!

full colour sleeve pressed on 180 gram vinyl. regarded by many as the finest electronic producer of his generation, the mysterious la-based photek enjoyed considerable success throughout the 90s and into the new millennium with his own mutant breed of jungle and drum n bass. after a four-year hiatus from releasing music (and just over ten years since his last lp >solaris<), the legendary photek is back with a new sound and brand new 4-track ep – an occasion definitely worth the wait.
multiple radio plays by: benji b, annie mac, rob da bank, mistajam, nick grimshaw, greenmoney, jon kennedy.

with the dust barely settling on the look ep, luckyme start 2011 with another jacques greene 12 inch. another girl is a brand new a side backed with remixes from london heavyweight and rinse fm futurist braiden and mark flash from the very legendary underground resistance movement. another girl shows the continued development of jacques sound, with a deep beating heart of analogue bass drawn around glistening rnb vocals – this is a warm sweep of modern house designed to cast a spell on the club.

b52 classic >love shack< with a 2011 treatment from electrohouse, dance-pop, drum& bass, dubstep....

having been perfecting his production skills for the last 10 years, mrk1 is no newcomer to the world of bass-led music. a member of manchesters infamous virus syndicate, he has become internationally recognised as a huge dubstep talent. so when hench got the opportunity, they jumped at the chance to sign two typically down-right dark and dirty numbers from the man like mrk1.

the release of the fourth studio album from revered production duo booka shade last year was greeted with widespread praise from fans and press . imbued with not only an uncanny understanding of the dancefloor, but a sense of true musicianship, >more!< transcends contemporary club music, placing itself amongst a lineage of classic records. following the great success of previous single >regenerate<, the fourth and final single to be taken from the album is the scaramanga remix ep. one of the albums standout tracks, scramanga is reinvented by the duo themelves, as well an impressive host of remixers who twist and contort it into myriad shapes, each harnessing different facets of the original and shining a new light on them with their new visions. booka shade take on >scaramanga< themselves with their >manga mix<, re-appropriating the poignant and hypnotic foundations of the original to craft a nuanced and uplifting dancefloor hit. carried forward by the symbiotic interplay of the drums and bass, rhythmic chord progressions surge through the tracks core, unfurling beautifully. the vinyl package also features versions from uk-based producer reset robot and italian wunderkind dusty kid. reset robot pierces the vocal film with filtered synth stabs, giving the track an urgent propulsion which is bouyed by the swelling bass, while dusty kid strips away the layers to reveal a melancholic core, stretching it out over the ebb and flow of its nine minute duration

hard progressive drum attack, deep fazed out bass, some diva adds & a super hard core (could be ja rule or even tupac) vocal >mothe f**kin name< cut up in-between the frantic beat montage on the a side, while the b side lives up to the san fran thing with erotic funk chords laid deep down over sub sf bass rolls and super tight percussion arrangements.

another modern classic from be as one is generating consensus from two of the main producers of recent times. after his latest releases on r&s and objektivity and his acclaimed artist album on ovum, shlomi aber returns on be as one with an original work after a long absence on his own label, since the times of the magnificent groundbreaking >sketches< alongsie detroit piooneer kenny larkin. now he does it again with a bang, involving in the project the legendary house stalwart dj sneak, whose been quite busy in the latest years unceedingly preaching the house gospel. abers original version of after touch bares the man own techno trademark, heavy dark funk bass and snares, all looped up with a consinstent drive and shaky groove. dj sneak does his thing on the b side, stomping his trademark sound all along the 10 minutes of the track, bringing the perfect balance to this release with a hoursier version of chunky, raw and old school groove.

after a furious appearance on cocoon komaton now joins the pro-tez family. >sweet princess< is a bass-bin filling, dance-floor destroying track from the hottest austrian export since arnold schwarzenegger. the a-side has the original version that deeply pulsates through some lonely piano with noise fractals and druggy vocals. it creates subtle sounds building throughout with percussion to excite. a2 follows with a sublime aural dub version by bvoice & khz. on the flip side scsi-9s remix has the power to fill the room with sound in a way that only pro-tez releases do. a must-have!

summer has come early. the fog is literally lifting and willing the summer to come early with this excellent ep for metroline. lead track diggler’s job is a breezy house number with pimping keys and a beautiful bass bounce. there’s plenty of movement in the percussion and a light touch that just begs for summer to come. shout romance is a shade tougher with its up-front kicks and acid-tinged bassline. it has slow burn intensity that is nicely counterbalanced by smooth reverb-soaked vintage synths.the jackspot remix of shout romance really brings out the funk in those synths, underpinning that with down-the line percussion and skittering hats that give the track a real drive. rounding things up nicely is in the right mood. the track’s bassline is sticky, sweet treacle over which congas and vocal cuts are expertly sprinkled to create a tasty treat. it never gets sickly though… horns are deployed sparingly, and the track has the same cool as a cucumber minimalism that makes this ep pure pleasure on the eardrums

felinephonix music sets off 2011 with the first installment of a limited edition vinyl selection from the project house of label artist & founder, mieka du franx, with exclusive dj support from kim ann foxman (hercules & love affair) and nina kraviz (rekids | underground quality). du box chronicles is an intimate collection of works & collaborations set to press. vol. 1 presents abe duque, the acid tech king of new york who delivers an elegant, journey-esq arrangement of avant guard deep house that inspires an uplifting vibe beautifully orchestrated with the warm vocals of mieka du franx, titled >du light<. >du what i du< (dub) is all about the hook and dig on that housey bass line, a classy rendition of the original that takes this number back. the 20th release of felinephonix music marks well earned return to wax. the label’s early most notable works were done with heavy hitters kink, jay tripwire, chris carrier, and fm attack, whose productions can be found along side mieka du franx. the hits that gained high recognition were from mixmag’s top djs of 2010 including kissy sellout (bbc radio 1) and luciano (cadenza), as well as support from derrick may, ralph falcon, hernan catteneo, rodriguez jr., mark henning, and many more.

after last years empowering >nuclear rawmance< longplayer, berlins savas pascalidis is back with his next 4 track ep on sweatshop. a tough, analog affair, full of straight up 909 drums, squelching synth lines and a warm rounded bass end. solid 4 tracker!

exit introduce joe seven, one half of they live whos debut album is out on 28th march. snap this one up, unique bass music from the ever evolving exit records label.

one of the west coasts favorite producers meets one of the west coasts leading labels. sfs dj rasoul (soulfood, large, naked music and many others) drops a gorgeous laid-back soulful houser, anchored by a nice vocal and rasoul’s trademark big bass and chunky drums. plenty of mixes to work with here, including the lush main mix, an alternative and a dub. lazy, groovy deep house for those extra sweaty dancefloors.

>bite sized beats vol. 3< celebrates the return of the flapjack master chef and spatula maker, frankie j. sometimes it feels good to crawl out from behind the curtain, fart, do a lap around the room giving it a good crop dusting, and then blame it on poor ventilation. so that just about sums up this fabulous new single from frankie j. >gonna give it to ya< will definitely clear a room and move them straight to the dance floor with its awesomely odoriferous bass line and tantalizing vocal workout. this is one for both cheeks and makes for all the right vibrations.

after visiting the north of bass music with the first ep caterva goes up north, the french band and label i.o.t records continue their journey from this time to southern bass music. for this new ep southern caterva produces a track with the sounds clearly kuduro salta featuring mc baal.it follows the track barrio alto, after a remix sounds salta but in a vein clearly solid dubstep. heavier than ever and halfstep, barrio alto is a bomb for the dancefloor dubstep ravers around the world!to close this caterva goes down south, you can download (using the 3d code visible on the cover),the remix digital version salta baile funk with dj uno.

the volcano mount vesuvius is the inspiration for mike parkers new release on geophone. cavernous echoes, thundering analogue bass and spacey bleep tones are blended together in mikes unique style. 3 tracks of maximum volcanic techno!

hot off the heals of the core series reissue of >i feel the rhythm<, slow to speak offers its latest edition of prescription family represses: glenn undergrounds >mighty real groove<. released under his early moniker, c.v.o, >mighty real groove< beats into even the most stubborn ears the truth of trent & co.s collective of hand-picked mid-west talent. the 1995 masterpiece is a devastating, pulverizing party-rocker that utilizes the used and abused sylvester sample so typical of the disco era and re-cultivates its simple universality in a way that avoids the cliches of discos expired optimism. add the smart chord progression and one of the most un-subtle, chest-reverberating, entrails-twisting, thor-hammering bass lines ever to grace a deep house record and you have >mighty real groove<: a party jam that still wields the musical elegance and warmth of the prescription catalog. hammered to death by theo parrish & so many more, this time-tested c.v.o classic has signed up for a second tour of duty, spreading the true underground gospel to those unbelievers who still dwell in the mansion of shadow and despair

wolkenreise finds the duo moving away from the dark, peak hour techno to a gentler sound that flirts with emotive deep house for something classy and inspired. the track offers here is built on a raw, unhurried kick. all important contrast comes from the dry, echoing claps (which cut gorgeously through the bass clouds like, well, thunder) at unexpected intervals, a distant, longing and muted organ line (i think) and some heavy hearted synths. it’s melancholic but optimistic, and has a certain classiness to it which i really dig.” -teshno, january 2011. these are just some of the words that have many saying wolkenreise is the single of year so far with massive global support from all over the world including seth troxler, laurent garnier, craig richards and alexi delano to name a few. glistening and glowing remixes are created by the brilliant minds of john tejada, dj qu and rene breitbarth to offer up a vinyl that is timeless

superb reissue of an amazing lost boogie gem from 1981 hailing from sweden, an unlikely hub of funk excellence in the early 80s. originally released on tiny label newlock, both sides of this 12 inch are fantastic - side as >supercool< is a tight funky workout with laidback vocals and a super-summery feel while side bs >percussion sundance< more than lives up to its cult balearic reputation, with six minutes of blissed-out soaring synths, heavy syncopated percussion and smooth bass combining to create one of the hottest things ever to come out of scandinavia. you must have this!

leif has been good enough to grace us with a bumper four track e.p. featuring a tingling special guest vocal from welsh songstress donna lea, whose voice resonates through your chest on title track, >so long<. sticking with the land of daffodils & dragons, a chance meeting at freerotation festival spawned an instant remix request. german groovecat move d on hearing >so long< immediately saw an opportunity to put his stamp on the record. the result is a low-slung roller whose heart remains firmly rooted to the floor. joining it on the a is murmuring bass heavy >tell you something<, while on the flip, >bide the time< pays testament to the early shuffling nyc garage sound

following the phenomenal >separat/izolat< single by cosmin trg, 50 weapons proudly presents rising new uk talents benjamin damage and doc daneeka with 2 stunning collaboration works, merging classic techno and house influences with uk bass elements.
>creeper/infamous< yet again shows modeselektors 50 weapons label from a new and different perspective. thanks to the fresh and addictive house flavor of benjamin damage & doc daneeka we are convinced we indeed can not avoid the overused and cliche word hit. there we said it, now you decide for yourself!

enzyme proudly presents a new release on enzyme k7! the 10th release on this legendary label is a 4 tracker by synapse. dont expect overproduced and melodious tracks on this release, synapse is keeping it raw, bold and straight forward!
over the years, synapse has developed his own sound, a sound you will definitely hear in these new tracks. with vow of doubts, synapse got help from non other than ruffneck. this is also one of the more powerful tracks on this record. they combined hardcore with massive drum & bass elements, a real hit in the underground circuit!

coma - the cologne based duo marius bubat and georg conrad have grown in leaps and bounds since their 2008 debut for firm recordings. since then, they have followed with highlight contributions to the last two total series and of course their acclaimed single crystal (kompakt 199) - both of which were released on kompakt. their live shows have established the act as a leading duo locally not to mention earning them fans across europe and asia. on famous , their new 12 for kompakt, we see coma embrace the art of melody and warmth more so than in past releases - an endearing maturity that you hear thoughout this gorgeously produced ep . starting off with playground altona - coma bring their techno/house euphoria to new levels in shimmering bath of disco glow. the ambient warmth of fameless succumbs to a floating bass kick as the sound of children play in the background. as raindrops fell outside of the studio - the boys used it as inspiration for raindrops - a sure winning track on this single as a familiar voice carries you amongst a severely catchy rhythm. a set ender of all set finales

4 tracks taken from the album of the same name, remixed by floppy don / samuel l session / alan ho & jay shepheard. pressed on clear red vinyl.

following up his massive >theme< on numbers comes the second outing from slackk, backed by the debut release from hervey jenkins.
slackks >synthetic< on the a side is a bumpy house track boasting a strong sub bass and shuffling hi-hats. meanwhile hervey jenkins brings classic uk garage sounds with >steelo< on the b side, with swinging 2-step drums and soulful vocals, this verson is exclusive to the vinyl release. this release has been receiving support from brackles, jackmaster, blackdown, blawan, dubbel dutch & hackman.

mighty highness records are back with another tip top 12 inch, this time showcasing afro dizzi act, a brisbane based world music 10 piece. the remixes released on this record are once again hitting the right note with our vision. on the a side, paprika and mr fish deliver a dancefloor jazz/afro/funk version of >toubabau<, followed by fingers malone doing his mpc chop and paste tune called >the drop off<. on the flip side, golden sound reworks >all comes back< in a classic house style featuring juice on bass. to round up the record we placed a downbeat version of >do you love< remixed by barkin soul. only 300 hardcopies available with download codes for those who need em!

nphonix is celebrated as a paragon of stylistic diversity, constant progression and engineering craftsmanship amongst producers and listeners alike, with a sound and discography spanning everything from drum n bass to hard techno. his latest release on the prestigious lost soul imprint is no exception to this standard. the a-side,>third eye<, descends like the bellow of some unfathomable machine coming to life, as frenetic techno stabs ride a ferocious shockwave of bass driven by bristling percussion. the flip, >false flag> beckons with signature lushness and beautiful harmonies before propelling the listener back into a maelstrom of speaker destroying furor, with a stunning second drop sure to blow minds and rattle ribcages. both pieces are tied together with the gritty yet crystalline production quality fans have come to expect from this stalwart innovator. this record is a testament to an artists uncompromising vision and a labels reputation for impeccable taste.